Tuesday, May 19, 2015

snippets of of Bertha:

'Many immigrants had brought on board
balls of yarn, leaving one end of the line
with someone on land.  As the ship slowly
cleared the dock, the balls unwound and
the farewell shouts of the women, the
fluttering of the handkerchiefs, and the
infants held high.  After the yearn ran
out, the long strips remained airborne,
sustained by the wind, long after those
on land and those at sea had lost sight of
each other.'
Luciano De Crescenzo


WHAT'S PAST IS PROLOGUE:

SHE GREW UP IN A TIME WHEN THE...
WOUNDS CAUSED BY NEGATIVISM AND anti-immigrant bigotry were still raw.  Those wounds, and the scar tissue they left behind affected the way millions of Belgium immigrants lived, what they talked about, even how they chose to read the newspapers.  In the years of her childhood, my Mother was no exception.  Her name was Bertha Winckle and growing up I could hear her stories.  She once said to me, 'Things that happened to us was because we were from another country.  The warnings, the prejudice.  We heard it at home, my father heard it in the barbershop, I heard it on the corner.  You heard about it in school.  I heard the same kinds of things from my Irish and Jewish friends, how they learned about the ways could get in trouble.'  


     Part of the trouble was caused by the sheer numbers.  From 1880 to the beginning of World War One, more than 24 million Europeans crossed the Atlantic to America.  The vast majority came to the United States.  Her family walked west from the City of New York to the sunny mountains of Colorado, finding jobs as farmers and day laborers along the way.  They settled in the unincorporated town of Crook, Colorado in Logan County along the vast southern Colorado plains.  


     Rural immigrants  shared a common grievance against the Old Country: the exhausted or poisoned land had failed them and, in a way, betrayed their faith and prayers; in the New World, they sought the solace of the land and the cement of the cities.  Tilling their own soil and city cement was better than hunger; a job and a lock on the door provided the only true safety.  Haunted by the brutal realities of recurrent and crippling disenfranchisement of the Home Land, they were drawn to the brighter promise of freedom.  In the early 1900's when my grandparents made their separate passages from Stokkum, Belgium carrying with them 11 children.  My Mother indicated that even in rural Colorado there was fear.  Residents feared the Catholics and Jews, feared strange languages and race, feared people who Were Not Like Them.  It could be a matter of life and death. The message from most Americans was clear to the immigrants.  An American was supposed to be a white Anglo-Saxon and Protestant.  In reality, the game was rigged.  


     This isolation, this shared solitude, created problems that would take generations to solve.  Education was often sneered at; what was the use of working hard in school if you couldn't take a diploma and get a job?  My Mother grew up in the world of feasts, weddings, funerals, and celebrations, with the insistence on the traditions of courtship, marriage, personal honor.  She obtained a teaching certificate  and became a school teacher.  She had two choices.  The old way and the new way.   She chose the new way.  'Education gave me the power to believe in myself, she once told me when I was nothing more than a kid.  This is why you are going to go to college.' 


     Mom would meet my Dad, who had hoboed from Iowa after having been kicked-out of his house for impregnating another woman in 1923.  His father had been a Lutheran Minister, and Lutheran minister's children do not make girls pregnant.  It was, apparently, love at first sight for both of them.  They had met at a dance held in Crook's Catholic Church in 1923 and were married in 1927.  My Father and his family had migrated from Germany to America in 1904, three years prior my Mother and her family arriving on American soil from Belgium in 1907.  The young couple then moved to the City of Denver, where my Father took a job at The Gas and Electric Building in downtown Denver on Champa Street stoking ovens for the building's heat, while my Mother became employed at  the J.C. Penny Company selling women's clothing.  In Denver, as in many other places, the story was certainly not one of unrelieved misery. 


     The core of the immigration myth is this:  it was about the way people overcame misery, how they found their consolations, and, in the end, how they redeemed America when Americans believed it was not in need of redemption.  There was a spirit of patient optimism in my Mother's Denver.  For millions of immigrants and their children, technology would provide some consolation and accelerate the process of Americanization.  The rapid development of the motion picture would provide one form of nationality, allowing people from every country to share common emotional experiences.  The phonograph and the radio were invented.  When each became widely available, the lives of immigrants changed in a revolutionary way.  Many added a wind-up Victrola, and after 1921, regular radio broadcasting began.  Many immigrants could listen to the radio stations, and thus be informed and entertained even though they could neither read nor write. 


     And they would produce children, a generation that could not remember a time when there was neither a radio or phonograph in the house; and by the time I slid through my Mother's womb and onto the earthly scene in September of 1936, everyone was listening to the music of America.  Many  immigrants also knew the melodies of Puccini and Verdi, and Caruso singing in their  kitchens or living rooms. My father worked at The Gas and Electric Building and my Mother was assigned the task of taking care of me.  By then,most immigrant parents had grown used to a new set of myths, peopled by baseball players named Babe Ruth, prizefighters with the name of Jack Dempsey, and movie stars like Clark Gable.  All of which would inevitably change their children into Americans. 


     When I was 2 years-of-age we moved into our own house on South Corona Street, which my Dad bought for $10,000, a considerable sum in that Depression year.  The family had, at last, their piece of American earth.  No more paying rent.  No more hustles with landlords.  We now had a one-story home with steam heat, a bathtub, and a finished basement.  The new house even had the ultimate luxury: a telephone.  My Mother helped Depression casualties as best as she could, laying out spreads of food, trying to find work for those who had lost their jobs.  And I remember that she always seemed to be singing.  And I was always her audience.  I did not have a hard Depression.  The Japanese Imperial Navy ended the Depression by bombing Pearl Harbor in 1941. 


      My Dad tried to enlist and was turned down because of his age which was 49.  He became an Air Raid Warden.  And I was proud of him.  Mom became a member of The American Women's Voluntary Services selling war bonds, providing meals for servicemen, and homes for those in service during the Holiday Season when they had no home to go to.  I was proud of her too.  She reminded me of Rosie the Riveter, the symbolic woman who had walked into  a war plant and found employment that was ordinarily reserved for men.   


     Bertha had enriched my life since the day I was born.  She had confronted bigotry and changed the way many people thought about immigrants and their children.  She had made me wiser about love and human loneliness and how I could go about finding out what life was all about; a genuine fine woman who will endure forever in my memory for as long as I live...


MY MOTHER BERTHA:


'My mother had a great deal
of trouble with me, but I think
she enjoyed it.'
Mark Twain


I GREW UP IN A TIME WHEN THE...
WINDS OF WAR UNFURLED OVER the land that my Mother had grown to love; and many of these snippets  about my Mother's life are shared with one enduring emotion: nostalgia.  Two factors drive that emotion: the rapidity of how my life changed because of her and the immigrant roots which made her who she eventually would become.  She always ached for people gone, and the place and music had once she loved.  She may have been in America,  but she still yearned for old roads, familiar smells, special foods, old games, for parents and aunts and uncles, for homes where they new every inch of the room, even in the dark.  Whatever brought them to New York City or Crook, Colorado - bigotry, hunger, oppression, war - the Old Country was still the place where they once ran barefoot in the grass.  Every one's present also contained the past.  Then.  Now.


     The Denver neighborhood where I grew up was an unnamed wedge between Colfax Avenue and the suburb of Aurora.  Our new home was on Jasmine Street, and most adults in the neighborhood had come through the Depression and eventually the war with Japan and Germany.  The most important four-letter word in their vocabulary was work.  They never envisioned anything as grandiose as a career; that was for their children.  But work meant that they could put money at the grocery store and still have something left in the morning.  On holidays, graduations, christenings, they could even buy gifts for their kids.  With any luck, they would work until they died.  And the world would stay the same.  Peace.  Steadiness.  Even happy endings.


     The world didn't stay the same, however.  The Korean War meant that we had not seen the end of war.  Young men who were 13 when World War Two ended were now being drafted to kill for their country.  Everywhere in our country the tradition of following your father into his profession started to end.  But there were other huge changes underway.  The arrival of television.  And much worse, the spread of heroin and petty crime.  In a neighborhood where none of us owned anything worth robbing, locks appeared on all the doors ,huge changes underway; but the steadfastness of my Mother remained the same. She taught me that there were few saints, many sinners, some small heroes, a few cold villains.  She made me understand that in our world, each neighborhood was a kind of an urban hamlet, complete with its own lore and legends.


CHAPTER ONE


'Men are what their
mothers made them.'
Ralph Waldo Emerson


IN THAT CROSSCUTTING OF MEMORY...
THE WIND IS ALWAYS BLOWING IN HER hair, from her blue eyes as she looked my way,  the love for me is packed tightly in memory, no matter where we were are or what it was that we were doing.  All that mattered is that I was doing it with her.  And when I think of my Mother, I always think of Hyman Boch, as well.  Hyman moved into our neighborhood in the winter of 1946, when I was 10 years old, and because of who he was and where he had come from, Mom took him under her wing, gave him food, tender care, and motherly love.


     Hyman was my age, but his eyes were wide and frightened.  When we neighborhood kids asked him to play with us, his face seemed to tremble and he backed up, his eyes confused.  Within days, we learned that the new kid was from Poland, a place located somewhere between Russia and Germany, and the language he spoke was called Yiddish. 


     He was living with an uncle, both his mother and father were dead, and his uncle had also in the Dachau Concentration Camp.  Hyman would stand there while we pointed at things, taught him the names of important things like bat, ball, and, of course, soda and candy.  My friend Bobby Dixon said one morning, Hyman looks like a dog that got beat too much.  I noticed two things about him.  He never seemed to smile.  And he had a number tattooed on his wrist.  He has a number on his wrist? my Mother said, Oh, dear God!  Hyman was in a concentration camp!


     The days rolled by and Spring came and I began to get a hint as to how special my Mom actually was.  Hyman put on weight due to my Mother's cooking.  He was at our dinner table almost every night.  His uncle could not afford to properly feed him.  Mom and Dad bought him clothes and Keds and a baseball mitt.  Mom attempted to explain to him why she loved the Brooklyn Dodgers baseball team, that they represented to her what America was all about.  He listened gravely while she explained that they were a team filled with the sons of immigrants, made him recite the litany of Dodger players: Reiser, Reese, Walker and her favorite, Roy Campanella - the son of a Sicilian immigrant with an African American mother and that he was so good at the game that he once said, 'Every day on a ball field is Christmas.' 


       Shortly after that, Hyman's uncle called my Mother.  Hyman had gotten sick and had been taken to Methodist Hospital.  There were whispered conversations about what was wrong with him, and then plans were made by my Mother and Father.  When he was released from the hospital, my Mother moved into his uncle's house, and I came over every night to help Hyman do his homework, and the neighborhood women decided they would give him a Christmas party.  They would combine Hanukkah and Christmas, get a Christmas tree, hang pictures of Santa Claus around the house, but leave out all the mangers and statues of Jesus.  Mom insisted that Dad buy train sets and chemistry sets, a big easel so he could paint.  A camera.  And a radio. 


      After Hyman had recovered, the Christmas season began in earnest.   In  downtown Denver, the store windows magically filled with toys and train set and red stockings.  Christmas banners stretched across the downtown streets, painted with the slogans of Christmas, about peace on earth and good will toward men.  Christmas music played from the loudspeakers, and there were Salvation Army bands outside The May Company and The Denver Dry Goods and men selling chestnuts and old men dressed in Santa Claus costumes, ringing little bells. 


     My Mother took me and we wandered the streets, and I was full of amazement and wonder.  I would ask my Mother questions.  Was Santa Claus a saint?  Did they have  Christmas bells in the Bethlehem stable?  How come the Three Wise Men didn't come on reindeer instead of camels, and, by the way, where did they come from?  If Jesus was the son of God, why didn't God just show up in Person?  She would answer each and every question with tenderness and love.


     Hyman and his uncle moved to Colorado Springs shortly after Christmas.  That night, I snuck Hyman into our house, and said we our tearful good-byes.  Then we all went down to his uncle's car.  The trunk was packed with suitcases.  Hyman was driven out of the neighborhood, heading away, never to return.  


     A few weeks later, my Mother received a letter from him, one which she told my Dad and I was meant only for her.  When she read it she both smiled and cried and tucked it into a hiding place somewhere in the house.  I thought about Hyman every year after that, when the snow fell through the Colorado sky and our neighborhood turned white, or when I heard certain songs from hidden speakers.  


     Years later, after Hyman had become a medical doctor in the City of New York, she allowed me to read the note: 'Dear Mrs. Daugs: I just just wanted you to know that you made every day Christmas for me.'  Love, Dr. Hyman Boch...


       ...I also thought about him when I saw people with tattoos on their wrists, or saw barbed wire.  But I didn't worry about him.  I knew he was all right.  He had my mother's love.  And so did I.


CHAPTER TWO


'Rather fail with honor
than succeed by fraud.'
Sophocles


ALMOST EVERYBODY IN THE NEIGHBORHOOD...
LOVED AND ADMIRED HIM, EXCEPT FOR MOM.   He had a perfect wife and two perfect children and lived in a perfect house on Colfax Avenue, three blocks from Messiah Lutheran Church.  They thought he was perfect at church, too; he was an usher with my Dad at two church services every Sunday, he coached the men's softball team in the spring and was the best bowler on the bowling team in the fall. In the summer, he volunteered to take the poorest children  to  a mountain retreat for the 4th of July. 


     He was an executive at a neighborhood bank who didn't smoke, didn't swear, and didn't drink.  He was just a perfect guy.  And my Mom would say, He can't be trusted.  He has the same dead-eyes of Joseph Stalin.  Other women, however, would say to his young wife Jill, You're so lucky to be married to a man like that.  And Jill would smile in a shy way and keep walking up the street to the grocery store and dress shop.  There were, of course, some neighborhood dissenters, mostly men, who agreed with my Mother.  Insofar as I'm concerned, the guy's a Putz!  said a fellow member of the congregation by the name of Glen Abbot.  He walks along, bouncing around on the balls of his feet, his skin all pink and healthy; and all of the women in the church seem to think he's a wonderful guy.  Me, I think he's a con artist.


     In the summer of 1954, when I was eighteen years-old and preparing to go off to college in the fall, Mister Perfect extended his good works by convincing the church to host meetings of Alcoholics Anonymous in a large basement room within the church on Tuesday evening. After several meetings, a few former drunks within the congregation could be seen nursing club sodas, with everybody getting up and describing what alcohol had done to them the wreckage it had caused, the chaos it had fueled.  Coffee and tea and doughnuts were served, and the two pastors of the church were always present for those who needed to clean their slates of mortal sin.  My Mother aided in the meetings and would come home afterward saying the same words over-and-over again, There is something rotten about that man's soul that is evil and disturbing.


     I had gotten to know Mister Perfect's daughter Maria quite well.  She was my age.  She was pretty. And I liked her very much.  I had taken her to see the movie The Caine Mutiny on Sunday night.  When the movie ended she said she wasn't feeling well, so I took her home and bid her a good-night.  By Wednesday, we knew she had polio.  The news raced through the entire neighborhood, and it is difficult to explain now what the word 'polio' could do to people in those days.  The fear, the horror.  Just the word.  Polio


     At the hospital, they didn't let us see her for a while, and her family seemed confused, as if possibly ashamed that this could happen to one of them.  Mom sent flowers.  She wrote notes.  But I didn't get to see her until the following Sunday afternoon.  And when my Mom and I walked into the ward, she was alone in a bed against the far wall.  She turned when she saw us and started to cry.  I tried to console her, feeling stupid and clumsy.   My Mom kissed her and held her hand.  But then we learned the the reason for her tears.  Mister Perfect had not come to visit his own daughter.  Not even once.
  


    As we departed her room and made our way to the elevator, my mother said:  One day her father's fate will catch up with him.  Mark my words, Dick, beneath the sweet-talk and saintly manners, the the man is a modern day Judas!  It would be the first and only time I would ever hear her say anything bad about anyone...


      ...Then on the following Friday evening, his wife Jill appeared at our door.  Her hair was blowy, her coat open, her eyes scared.  When my Dad opened the door and she said, I'm sorry, but, uh...have you seen my husband?  No, Dad said.  I can't say as I have.  Have you tried up at the church?  I mean, that's where he is a lot of the time.  She turned and hurried into the night.  An hour later, our Pastor came in, also looking for Mister Perfect. 


      He had learned that Mister Perfect had gone out for lunch that afternoon and had never come back.  By midnight the word has spread throughout the neighborhood, and there had been two more telephone calls from his wife Jill.  But nobody had seen Mister Perfect.  They didn't see him that weekend, and he didn't come to work that Monday. 


     And then the cops descended upon the bank, and the big wigs came down from the main office in Pueblo, and the examiners were finally called in, and we all knew why Mister Perfect had gone missing.  The bank was missing $300,000 along with Mister Perfect.  This news made page 1 of The Rocky Mountain News and The Denver Post the following day.  It's first effect was to cancel the AA meeting that night.  Many of the attendees felt that they would rather be honest drunks than the disciples of an embezzler.  Many felt that Mister Perfect had absconded with more than money; he had embezzled their emotions, too.  My Mother went to see Jill and Maria at the hospital that night to give them comfort.


     One snowy Sunday morning the following March, long after Maria had been released from the hospital and was recovering quite nicely,  Mom walked into our living room with The Denver Post in her hand.  She held it up for me and my Dad to see.  Will you look at this? she said, with a rather large smile on her face.  The two of us gazed at the picture of Mister Perfect on page 6, his hair longer, his hands cuffed in front of him, and a bosomy handcuffed redhead beside him.  The story was out of Omaha, Nebraska, under a headline that read: FORMER DENVER BANK EXECUTIVE, AND STRIPPER GIRLFRIEND NABBED IN BANK THEFT.   The two men standing grimly behind the two of them were FBI agents; and my Mother said with the large smile still etched on her face: God does indeed work in mysterious ways.


CHAPTER THREE


'There are no strangers here;
Only friends you haven't yet
met.'
William Butler Yeats


LATER, AFTER IT WAS OVER, ALL OF US IN THE...
NEIGHBORHOOD WOULD NEVER FORGET THAT Sunday morning when Vincent Petros had arrived among us.  It was in on a Sunday morning in June of 1959 and I had recently returned to Denver from my first year in college in Nebraska.  My Mother remembered that he wore faded jeans and a crisp white shirt, and that it was early in the morning and the sun gleamed on his yellow hair.  She was sweeping-off our front porch and he asked her for directions to Mister Goodman's house, which was on the opposite side of Jasmine Street which was directly across the street from where we lived.  Mom said hat his accent was thick and strange and that she could not quite pinpoint where he was from, but thought he might be from Greece.  


     Mister Jackson, our next door neighbor, remembered seeing the young man staring up at street signs as if he he were lost.  Others remembered his blue eyes, some his battered tan canvass suitcase tied shut with a rope.  They all remembered that he was playing 'Yankee Do0dle Dandy' on his gold harmonica.


     He was twenty-two that summer and had taken a room and Mister Goodman's house, which was right next door to Mrs. Derryberry's house.  Mrs. Mrs. Derryberry was a young widow who seemed to be living a sentence of solitude since the death of her husband in an automobile accident two years before, mostly worrying about her two year-old son when he played in the yard, mumbling prayers in our church each Sunday morning for her lost beloved husband, and washing clothes.   Mom invited her over for dinner every Tuesday night.  She was quiet and polite and my Mom liked her.  And my Dad liked her, too.  She was very pretty and told him that she thought he was quite handsome for an older man.  She shouldn't live alone like that, my Mother used to say.  It isn't right.  And then one afternoon, that first week after the young man's arrival, Mrs. Dewberry was hanging clothes on the line in her back yard and glanced over into Mister Goodman's yard and saw  Vincent Petros.  


     He was sitting on Mr. Goodman's back porch and he was playing the harmonica.  She told my Mother that the sounds he made were sorrowful and melancholy, and when he began to sing to himself, his voice ached with loss.  She did not understand the words, but she felt that somehow they were aimed directly at her and they made her ache, too.  She stepped back from the window, and from the shadow behind the curtain looked down at the beautiful young man.  She watched for almost a minute; and then she began furiously to scrub the table, clean the refrigerator, to polish glasses and dust bureaus.  When, about fifteen minutes later, her son came in from the front yard, she told my Mom that he found her on the bed, and she was crying.


     Later that same day,Marie Miller visited my Mom after her shift at The Bluebird Dry Cleaners on Colfax Avenue had ended for the day.  Marie and Mom played bridge with two other women in the neighborhood on Friday evenings and she told my Mom that she had seen Vincent earlier in the day.  He brought in six shirts, with medium starch, and a nice brown suit.  He was very polite.  He didn't flirt.  He doesn't know how good-looking he is.  He said that he was going to work at 'The Chat 'n Chew Restaurant' right next to where I work, and then he laughed at his bad English.  He said he was actually from Greece.  To tell you the truth, Bertha, it was hard to keep my eyes off him.


  It was shortly after her twenty-fourth birthday, after her son had left for Elitch Gardens with her brother Lawrence, Widow Derryberry was hanging wash while Vincent played his harmonica in the yard below.  Suddenly, a piece of wash slipped out of her hands and fell into the yard.  He glanced at it, then looked up at  the window and saw her frozen in the window frame. 


     He then walked over and picked up the fallen piece.  It was a pair of women's panties.  He waved it and explained with a gesture that he would bring it up to her.  She shook her head no.  She pointed to herself and then at him, indicating that she would come down.  But Vincent just smiled and went to her back door, knocked on it, she came to the door, her hair swiftly brushed, her cheeks rapidly powdered, and she looked at him and that was the beginning of that.  There were few secrets in the neighborhood, and soon many people knew about Widow Derryberry and the  good-looking man with the gold harmonica.


     My Mom knew from her face, the freshness of her color, and the way she began to dress again as she had before the death of her husband, in pink and yellow summer dresses.  She knew from the drawn shades in the afternoon and evening while her boy was attending a Denver Bears baseball game with his uncle.  Our next door neighbor Mister Jackson had seen them sitting under a tree in City Park across from our church, eating sandwiches while the young man played the gold harmonica.  Our minister said that he had seen the two of them holding hands and staring up at the glittering stars of the night sky shortly after Widow Derryberry had brought the young man to an evening Sunday service.  Of course, the older women in church gossiped about Widow Derryberry and the young man whose name they didn't know; it was to bad, they said, that she had gone 'that way'; she sure was not showing proper respect for her poor dead husband.  But most of the younger women approved, and a few were envious. 


     My Mother, however, was their cheerleader and told the two of them, Just do what you want to do and never worry about what other people might say or think.  As for you young lady, center on who you are and what you want, and never ever enter the country of the old like so many of our church ladies have.  My husband Godfrey and I have been married almost thirty-three years and I feel as if I haven't aged a bit.  Vincent asked my Mom what she would do if she were in Widow Derryberry's place.  Mom smiled and said, Elope.   


     Late that night, when the neighborhood stores had closed and the last shade or curtain were closed in all of the neighborhood homes, and her brother Lawrence had come over to take care of her child, they did just that. 


     Over that summer, Vincent and Mrs. Dewberry had become my friends, and I had kept in touch with them both  down through the years.  I recently received a letter from Mrs. Petros, who has now been married to Vincent for almost fifty-six years informing me that her son and his wife had given her a fifth grandchild.  A girl.  And she had named the child Bertha in honor of my Mother.  She then quoted the Chinese philosopher Mencius 'Friends are the siblings God never gave us' and added, 'That is what your Mother Bertha was to me. 


        I sat back in my chair and put the letter down on the table in front of me.  And I gave a small smile of both remembrance and regret, in that I had never appreciated my Bertha enough while she was here...


      ....Yet knew in my heart that she had already forgiven me.


CHAPTER FOUR


'The lady doth protest
too much, me thinks.'
William Shakespeare


I WAS NOT PRESENT TO WITNESS THE GREAT PROTEST...
OF 1969 LED BY A ONE-ARMED LADY NAMED EMMA BRAG, who had lost her arm when it got caught in her washing machine wringer back in 1962.  The protest, my Mom told me, was all about the best fruit and vegetable store in the entire neighborhood which was owned by Orville Janssen. In the summer, his stands and bins outside the  store were plump with products of the earth: oranges and grape and apples, and melons and tomatoes and onions.  The garlic was always sweet and the basil always fresh.  Orville's array of greens and reds and purples seemed lavish and extravagant on that street and in our neighborhood.   His customers arrived from the far reaches of Denver and stretched as far as Colorado Springs and Pueblo.  Even when the new Safeway opened it giant store, Orville continued to flourish, six days a week, from  eight in the morning until eight at night.  His prices were a little higher than they were in the new supermarket, but his goods had been chosen by a human hand, not hauled to market by a corporation.  All the women of the neighborhood knew this and shopped at Orville's with a certain passion. 


      All except Emma Brag.


     'The tomatoes at Orville's are gorgeous this week, Emma,  My Mother would say when Emma and her husband Teddy would come to our house for their monthly poker game. 'I am quite aware of that, Bertha, ' Emma would reply.  'But the new Safeway is more convenient.  Initially, nothing was made of this.  In our neighborhood of working folks, the few who took time to notice simply dismissed Emma's little boycott as a mysterious failure of good taste.  They all kept shopping at Orville's.  One reason was that Orville gave his produce the kind of attention that could only be called love.


      My Dad, rising at six o'clock in the morning to go to work, could see Orville arriving at the store in his old tan Chevrolet to unload the boxes of produce.  He'd already spent two hours at the market.  He lived alone in a small home at the back of the store, where he would listen at night to opera or to a baseball game while he designed hand-lettered signs that he would place in the morning over his beloved produce.


     Nobody really knew Orville outside the store.  He was a small bald man with large black eyebrows and a small well-trimmed moustache.  He seldom went to church, had been too old for World War Two so he was not a member of the American Legion or the VFW.  He seemed to exist only within the context of his amazing store; he was what he did.  And the only one who knew that was not true was my Mom.


      I first met Mister Janssen when I was a kid in the late 1940's shortly after we had moved from South Corona Street to Jasmine Street.  Mom introduced me to him when I accompanied her to his store.  She mentioned that the two of them were from the same city in Belgium, that my grandfather and Orville's dad had been iron workers as well as longshoremen in a town called Stokkum prior to my grandfather gathering-up his family to move to Antwerp.  Over the years, I was somewhat surprised at how close and friendly the two of them seemed to be, pleased that Orville Janssen liked me, and always gave me either and apple or an orange whenever I accompanied my Mother to his store. 


     I had almost forgotten about Orville Janssen when my Mother wrote me and told me of the brouhaha which was about to explode between Orville and a woman by the name of Emma Brag.  I had been away from Denver for eleven years by then, having gone off to college, then into the seminary, and was at that time a Lutheran minister in the city of Roswell, New Mexico. 


      According to Mom, Emma had been protesting in front Orville's store from 2 o'clock until 4 o'clock in the afternoon for about a week, holding a sign in her only hand that read: 'SHOP AT SAFEWAY.  IT'S CHEAPER AND IT'S CLOSER,' when her husband, Teddy, fell over at his desk at a brokerage house on Champa Street.  He was dead upon arrival at the  Presbyterian Hospital on East 19th Avenue, and the news apparently shocked the neighborhood.  He was, after all, only 57, and in semi-good shape.  Brokers weren't supposed to die at their desk.  They are supposed to die in bed.


      The funeral service for Teddy Brag at Messiah Lutheran Church was filled with mourners; it filled the entire church, and every0ne said that they were more than a bit surprised to see Orville Janssen sitting in the last pew on the right.  When Mom called me to give me an update on how the funeral went, she replied, 'Emma and the three children handled everything with courage and dignity.   I am worried about Orville Janssen though.'  'Why's that?' I asked.  She replied, Orville was at the funeral and when he walked through the receiving line at the conclusion of the funeral, Emma snubbed him. She and I are going to have a little talk after Emma and the family have time to mourn their loss.'  A month after the funeral, Mom had tagged herself as the neighbororhood negotiator.  She caught a glimpse of Emma pacing back-and-forth and holding her sign in front of Orville's store.  She immediately went into the store to have a little talk with Orville.  When Mom came out of the store, she had a little chat with Emma.  After that, Mom walked back home.   


     That evening my Dad and other members of the church had combined forces to throw a benefit in City Park for Emma and her children on the great lawn adjacent to The Denver Museum of Nature and Science.  The blankets were spread on the grass and lawn chairs and picnic tables put in place.  The great lawn was filled early.  Coke and coffee and tea flowed, a small band played old songs, and Emma Brag sat with her neighbors at a table near the softball field.  And about an hour after the racket had begun, Orville Janssen appeared at the edge of the festivities.  He was wearing a new white shirt and new tan slacks and new blue tennis shoes. 


     My Dad would tell me later that Orville entered hesitantly, even shyly, until Mom ran up to him and gave him a hug, then took his arm and walked him over to the crowded table where drinks were being served.  The men didn't know him very well, but the women started coming over, happy to see him.  A few were surprised, because they knew that Emma Brag was protesting in front of his store, but they were pleased that he had come in a show of neighborhood solidarity with the grieving widow and her family. 


      He said his hellos, murmured his regrets, sipped his tea.  And all the while, he looked through the crowd at Emma Brag.  A moment or two later, he walked over the grass and blankets toward the softball field, staying close to my Mom, and came over to her.  'Hello, Emma, he said.  After a long pause, she replied, 'Hello, Orville.  How nice of  you to come.  She looked around uneasily, her one hand moving awkwardly.  Most of the tables were empty as dancers moved to a tune 'It's All In the Game.'  He smiled, tentatively, and asked: 'Could we go for a walk and have a little talk?'  There was an uneasy moment. Then Emma said: 'I never thought that you would ever want to talk to me again.'  'Me neither,' he replied.  'Are you angry with me? she asked.  'A little,' Orville said.  'But not nearly as much as I was.'  He paused.  'I want to talk if it's OK with you.'  'It is,' she replied.  Then my Mom walked away, her back straight, looking proud, easing her way through the crowd, who were looking past her in utter amazement when they spotted Emma and Orville actually talking to one another.


     That fall I returned home to Denver to visit my Mom and Dad, leaving my wife and two children behind in Roswell.  My daughter, Traci was now in school.  My wife thought it best to tend to her needs without disrupting her usual routine.  Mom was making noise in the kitchen and bacon was frying and the radio was on and everything was exactly like it had been when I was a kid.  I happened to look out of the living room window as my Dad sat on the sofa reading The Rocky Mountain News, when I spotted Orville Janssen walking up the street with a one-armed lady.  'Who is the woman with Orville Janssen?' I asked.  Dad replied, 'Thats Emma Brag. she works at Orville's store now.  'How did that happen?  I said.  He laid the newspaper aside, smiled, then said: 'Ask your Mother.  I haven't a clue.  And when I did, all Mom did was smile...


CHAPTER FIVE


'Every parent is at some time
the father if the unreturned
prodigal, with nothing to do
but to keep his house open
to hope.'
John Giardi


BILLY REZAAB LIVED DOWN THE STREET AS I WAS GROWING UP...
HE IDOLIZED HIS FATHER WHO WAS, AFTER ALL,  A HERO OF THE Korean War.  His father's name was Rollie.  In the neighborhood stores, in the veteran's club and Masonic Lodge, they all knew the story well: how Rollie had gone to Korea in that first brutal winter of the war, when the ground was frozen iron, and how his outfit was cut off in the night and  the flanks were overrun, and how Rollie fought off the Communists all by himself, killing several of them, until help arrived in the morning.  Billy knew the story as well as anyone, although his dad was a modest man and didn't talk about it all that much, except when he was smoking pot. Which was an unusual thing for a man to be doing back in 1955.  Particularly in our neighborhood.  My Dad was quite fond of Rollie.  My Mom was not.  It was not because he smoked pot.  She did not like the fact that he did not wipe-off his shoes on the front porch Matt before he entered our house and seemed always to leave spots on the living room rug.  'I think he should be more careful, my Mom would say.  


     But she seemed to always enjoy looking at his medals and ribbons whenever he brought them over for my Dad to examine.  And so did I.  The Distinguished Service Medal.  The Bronze Star.  The Purple Heart.  They thrilled Billy and, handling them, he would imagine his father, young and tough, with a machine gun in his hands, marching across the barren hills, and then fighting hard through fear to save his buddies.  When when Billy was 18, he volunteered for the army.  His mom cried and protested, his 2 younger sisters told him not to do it, but Billy insisted that as the only son it was his duty.  In his time, his dad had done his duty; now it was his turn.  In basic training he was tormented by fear, afraid that in a crisis he would not be as brave or as tough as his dad was.  He might falter.  He might  cry.  He might break down and run.  But in the end, none of that happened.  Billy went to Germany, not Vietnam, and his father remained the only hero in the family.  After his tour of duty had come to an end, Billy vanished.  Rollie and his mother hired the Pinkerton Detective Agency  to hunt him down.  They never did.  


      Over the years, Rollie grew fatter.  Chins multiplied; blue veins blossomed on his nose; his belly became huge and he seldom spoke.  Rollie missed his son.  The year was 1971, and I had not seen Rollie in 12 years.  A year before his wife had died.  Just like that.  A heart attack.  His daughters moved away.  One to Colorado Springs with her husband and two children.  The other to Pueblo with her husband and three children.   By then, I was residing in Houston, Texas, had emitted the ministry, due to my rather Liberal leanings, was then earning my living as the manager of a men's clothing outlet, and had returned to Denver, once again, to visit my Mom and Dad.  Mom asked if I would mind taking Rollie to Denver Botanic Gardens near Cheesman Park.  She said that Rollie enjoyed strolling through the lovely scenery.  As we came to the end of our stroll, Rollie turned to me and said: 'Your Mother is a wonderful woman, Dick.  She knocks on my door every morning to see how I'm doing.  She cooks for me.  We talk on my porch.  She has become the family that I no longer have...'


      In 1973, Rollie was laid to rest in Arlington after a long bout with stomach cancer.  There was a flag on the coffin and a bugler playing taps and his two daughters and five grandchildren and my Mother and Father; all there to watch Rollie Reezab join the endless rows of white crosses that marked the presence of men who had fought and died for their country.  Some of them might have even been there with him that terrible night in Korea.   The only one missing was Billy...


      ...When I asked my Mom why she and Dad went to the funeral so far away from our Denver home, her simple reply was: 'To make certain he would be safe and warm.  I crocheted a blanket for him and the Servicemen were kind enough to grant my wish and wrap it around him before he was laid to rest...'


AN EPILOGUE:


'I got to grow up
with a mother who
believed in others
and taught me how
to believe in me.'
Antonio Villaraigosa


IN THE MORNINGS  OF THAT COLD WINTER...
MY MOM WALKED THE SNOWY STREETS, her heart blown through with emptiness.  Neighbors watched her progress.  She plucked trash that lay in the streets and gently placed them into garbage  cans in front of small stores.  She was becoming accustomed now to the permanent grieving sadness over the loss of my Dad, who had died in October.  The year was 1975, and the houses were sealed with plastic sheets on windows against the invasions of winter.  Alone, bundled in down and wool, her rubber boots heavy, Mom would walk about three miles each morning, with the Rocky Mountain wind pounding the streets, and then back.  She seldom had breakfast, and no longer read the newspaper or watched television.  Across the long mornings, she worked with her hands, preparing small Christmas gifts for the children of the poor.  The music of Mozart fled her heart.  She only thought about Dad each hour of every day.


      She ate a late lunch, always in a restaurant  called The Chant 'n Chew on Colfax Avenue.  In the afternoon, she would polish whatever piece of wooden furniture in the house that she thought needed tending.  Then she would sit in the large, soft chair beside the fireplace.  In those first weeks, after my Father's death, she would imagine that he was still with her, that they were laughing together.  Her pain was most terrible at night.  She would get up and walk around the house and try to read, and lie again on the brass bed, hearing the house settling and the light noise of the falling snow on the roof.  And sometimes she was afraid.  Thinking: I could die here, and nobody would  know.


     The  fear of solitude slowly left her. It had been years since she had slept alone, and for a long time she would still awaken and reach for my Dad.  But then, knowing that he was no longer there, and would never be there, she learned to accept his absence, and made new habits.  She began to look forward to the luxury of solitude.  I must be healing, she thought.  The wound is closing.  I have survived.  


     And then one gray afternoon after lunch, she marched through the snow to the home next door to see Bess Wagner.  Bess had been a neighbor since 1941.  I had grown up with her two sons Steve and Bruce.  Her husband Myron had died the month before my Father passed away, and the two of the sat before the fireplace for a long while, discussing their mutual loss until they came up with an idea and and invited Emma Brag over to join them.  Emma had lost her her husband Teddy in 1969; and together, thee three of them established The East Denver Widow's Club.  And when spring came, when the three of them went to walk the neighborhood, women waved at them.  They waved back.  And then went into other where widows were waiting for their solace and advice.


      My Mom died in August of 1992, with my two children at my side.  She looked up at  me from  her hospital bed where she had made me lay my head next to hers, her blue eyes bright as ever, and said: 'I love you, Dick.'  


     I was asked by Pastor Weaver of Messiah Lutheran Church to give a eulogy in honor of my Mom and I quoted the words of Samuel Taylor: 'Her death came with dignity; The opening bud to Heaven conveyed, and it bade it blossom there...'  And finished the eulogy by paraphrasing the swords from Romeo and Juliet: 'When she  shall die - Take her and cut her out in little stars and she will make fhe Face of heaven so fine - That all the world will be in love with night And pay no worship to the garish sun...'


     ...I love you too, Bertha Winkle Daugs....

Tuesday, May 12, 2015

the night the men in the bar were either silent or crying:

'The world has now lost
one of its most precious
commodities...'
Ernest Borgnine


IT WAS ON A MIDNIGHT IN 1998.  A HARD SPRING RAIN...
 HAD EMPTIED THIRD AVENUE, AND THE NEON LIGHTS scribbled garishly across the glistening black asphalt.  From the window of P.J. Clarke's saloon, you could see a few taxis cruising slowly among the spokes of  the  broken umbrellas, and a trash basket lying on its side, its contents turning to rainy pulp.  Across the street two old rummies huddled in the doorway of an art store.  On this night in the rain-drowned city, men and women were safe in the back room of the saloon.  Clark's was, and remains, a place out of another time, all burnished wood and chased mirrors, Irish flags and browning photographs of prizefighters.  A few aging men at the long, bright bar were gazing down at their drinks as I entered; while others stared out the windows to where the Third Avenue El once stood.  They were each drinking alone and looked as if they remembered other nights too, evoked by the music of the jukebox where a famous voice was crooning:

                             'And now the end is near and so I face the
                             final curtain...My friend I'll say it clear
                             I'll state my case of which I'm certain...
                             I've lived a life that's full I've travelled
                              each and every highway...
                             And more, much more than
                             this...I did it my way...'


     It was on the 15th day of May in 1998.

     The the man singing for the lonesome men and women at the bar had died the day before...

     ...His name was Frank Sinatra...

      ...The news made the front pages of newspapers all over the world.  Many ran extra editions and followed with special supplements.  There was little sense of shock; he had been a long time dying, and so the obituaries were full of his life and times.  When he heard the news, President Clinton said: 'I think every American would have to smile and say he really did do it his way...'  P.J. Clarke's had been one of his favorite hangouts when he was in the City of New York.  The man I was going to meet was a friend who told me stories of how Sinatra would sit with his back against the wall in the muted light of the room with Danny Lavezzo, who ran Clarke's; William B. Williams who had christened him 'the Chairman of the Board'; and Jilly Rizzo who ran a bar across town; with young women whose faces were too perfect; and  the sportswriter Jimmy Cannon.  My friend's name was Earl Murrillo, who was a writer and had known  Sinatra for a number of years.  Earl had told me that whenever Sinatra was at P.J. Clarke's the table was always crowded with glasses, ashtrays, bowl of peanuts and pretzels and that Lavezzo made certain the other customers were kept at a distance by seating them as far from Sinatra's table as possible.

     I had my own memories of Frank Sinatra.   There was a radio on the window ledge in the kitchen of our Denver home.  Through that window, past the vast Rocky Mountain Range, and out in the backyards, we could see the skyline of the city all tinged in light-blue with puffed white clouds.  From the Philco radio, we heard about the invasion of North Africa and the assault on Sicily and the fighting at Anzio.  The story of the war was all mixed up with the crooning of Bing Crosby and the score from Oklahoma! and the Andrews Sisters and Glenn Miller and, at some point, Frank Sinatra singing: 'All or nothing at all...'  There was a thin, even trembling tone to his singing, unlike the confident baritone of Crosby, but there was a kind of defiance in them too.  I was 5 when the war started in 1941 and I was too innocent to connect to the meaning of the words to a longing for women.  They seemed to be about unconditional surrender, as declared by Franklin D. Roosevelt, whose picture was up on our kitchen wall.  It was as if Sinatra were saying to Tojo or Mussolini or Hitler: 'We're coming to get you.  And it's all or nothing at all.'

     There were always the newspapers, The Rocky Mountain News and The Denver Post  and they began printing stories about Sinatra.  The Voice.  Swoonatra.  Hysterical girls roaring at the Paramount Theater in New York.  In June 1944 the Allies had invaded France, heading for Berlin, and the lights went on again in my city.  For weeks after D-Day I would go out into my backyard alone and stare at the skyline, glittering and impossibly beautiful, like the towers of Oz.  And from the open windows of the neighborhood I could hear the battle between Sinatra and Crosby.  I was too young to choose sides.  But my Dad was definitely a Crosby fan and my Mom loved Sinatra.  She would sing along with him while washing dishes in a light soprano voice.  He was all over the radio.  He was sunny.  He was optimistic.  He was casual.  He said we had to 'accentuate the positive, ee-liminate the negative, and not mess with mister in-between...' 


     ...Meanwhile Crosby was playing a priest in Going My Way.  A catholic priest, for God's sake, whose best friend from Ireland, and older priest played by Barry Fitzgerald, in which Crosby saved Father Fitzgerald's run-down parish.  The whole neighborhood went to see it during the summer of 1944.  My Father was delighted.  My Mom said that Crosby couldn't act his way out of a paper bag.  In the neighborhood I began to hear arguments among the kids just older than I was.  Crosby versus Sinatra arguments.  They had nothing to do with the words.  They had more to do with whether you were of Italian or Irish heritage and whether or not you had gone off to fight the war.  I was too young to choose sides.  Crosby had not gone to the war because he was too old, but Sinatra was a separate case; he was the right age and he had two arms and two legs.  Why couldn't he do what such stars as Clark Gable and Jimmy Stewart were doing, and insist on being taken by one of the armed forces:  Why couldn't he do a USO tour like Crosby had done?  He's a draft dodger, my Dad would say.  He's not a draft dodger, my Mom would reply, he's got a punctured ear drum.  He tried to join 3 times, and they turned him down.  It was in the newspapers.

     Walking into P.J. Clarke's, I could remember all that argument and my own youthful wonder about its passion.  At 10, I was too young to understand what Sinatra was doing with his music.  I did know it was different.  Crosby made me feel comfortable, but there was a tension in Sinatra, an anxiety that I was too young to name but old enough to feel.  During the final months of the European war, when men were dying by the thousands in the Battle of the Bulge, it was confusing to hear songs that contained so much anguish.  Or loss.  Or loneliness.  I could see young women pushing strollers, their men off to war, see them looking at the front pages of the newspaper, see the way their faces clenched, and I wished that Bing Crosby could sing to them and make them feel better.  It took me a long while to understand that it was Frank Sinatra who was giving words and the voice to the emotions of their hearts and souls.

      My friend Earl Murrillo was a professor at Interboro Institute where I also taught and had first met Sinatra in 1953, after his return from eight exhilarating weeks of work on From Here to Eternity. Earl was interviewing  Sinatra for an article in Photoplay Magazine  and he said that Sinatra knew just how good he had been in the movie.  The two of them had remained friends  down through the years.  He had not experienced Sinatra's fierce temper, his brutalities, his drunken cruelties.  Earl stated that he was funny.  He was vulnerable.  I never saw the snarling bully of legend, Earl said.  Music was the engine of his life.  When I was with him, I knew that I was in the company of an intelligent man, reader of books, a lover of painting and classical music and sports, gallant with women, graceful with men.   I liked him liked him enormously. 


     Which was why Earl greeted me with tears in his eyes when I walked into the saloon on that May midnight in 1998.  After a handshake and a hug, we drank mostly in silence, knowing long after his death that someone will discover for the first time his voice, one that had that mysterious quality that makes the listener more human, relieve the ache of loneliness and help transcend his ultimate triumph over the banality of death.  Artists like Sinatra continue to matter long after they have gone, so will Frank Sinatra...

Sunday, April 26, 2015

memories of 'Lucky,' 'The Duke' and Yakima Canutt...


'A man deserves a second chance,
but keep an eye on him.'
John Wayne

"LUCKY" SEEMED UNEASY ABOUT THE ROLE...
WRITERS  AND ARTISTS IN POLITICS.  'WRITERS and artists like you should refuse to take part in the public life of their country ' he began.  'Particularly when it comes to politics.  Even more so if they're god damned Democrats!'  He then added with a slight smile, 'Your buddy Teddy Kennedy will never get elected President because of Chappaquiddick.  He should've learned to keep his pecker in his pants.'  The somewhat good-natured rant had begun after I had informed him that I was backing Ted Kennedy for the Presidential Election in 1980.  He happened to be a former Marine and 'Hell's Angel,' recently divorced, well-read, a man with one leg, and political advisor to Katherine Whitmire the Mayor of Houston.  He also was the  Committee Chairman for 'The Elect Ronald Regan Presidential Committee.'  We had first met at a singles club in Houston called The Leisure Tree, became good friends, and enjoyed the bicker and squabble of political argument since he was an avid Republican and I was an equally rabid Democrat.  He was ten-years older than I was, looked like a surly Santa Claus with a gruff twinkle in his eye...


     ...And his name was Francis "Lucky" McCreary.

      It was dusk in Zihatanejo, Mexico on a June evening in 1979, and we were at a restaurant called Patys Marimar on La Ropa Beach, which  lay at the edge of the beach itself, while mariachis played songs of love, as we watched the glistening tanned bodies running rapidly to their hotels in the frail afternoon rain.  The aroma of the Mexican evening rose around us.  Beans were frying and fish baking in the restaurant oven stoves, and beyond all of this, stretching to the hard blue line of the horizon, there was the sea, the vast and placid Pacific.  For centuries Zihatanejo had been a fishing village, a few huts thatched with palms dozing along the shore of the great natural harbor called the Casta Grande.   It never became a major port, because the merchants of Mexico preferred to greet their Manila galleons in Acapulco, 145 miles northwest and for years no roads connected the tiny village to the large cities of the  interior; mules  labored for weeks to travel the 483 kilometers to Mexico City, mountainous miles beyond reach.  Then, throughout the 1950's and into the 1960' everything slowly changed.  Along with a town called Ixtapa, Zihatanejo became a tourist attraction, the movie star John Wayne became a regular visitor, and the modern day Zihatanejo was born.

     On our walk earlier in the day from our hotel to the beach, the street was crowded with a mixture of tourists and Mexican families.  The Americans looked pink and awkward.  The Mexicans were friendly, even sweet, but they were more concerned with children than with visitors.  Here, as almost everywhere I had been in Mexico, a visitor senses a relaxed manner among the Mexicans.  Among workers and visitors, no one felt the seething hostility that had begun to rear its head, particularly in Acapulco, where we had been the week before.  "Lucky" and I had both been here several times in recent years.  He loved Zihatanejo and so did I.  We were staying at the La Casa Que Canta Hotel overlooking Zihatanejo Bay and had booked the same suite of rooms in which John Wayne had once stayed.  "Lucky" had insisted that we stay there too.

     The suite was aptly named "The Duke Suite" and the stairs inside led to an open, mahogany wooden floor with a bar and couches and a cool breeze off the ocean.  There were photographs of Wayne, posters of  Island in the Sky and  True Grit and the Quiet Man, and other reminders of the life once lived here.  Wayne had last been in Zihatanejo five-years before.  'He was the greatest single drinker I ever saw,' said a bartender at The Flophouse Bar, who claimed to have known Wayne rather well.  'He loved tequila and never got drunk.'  He then looked at "Lucky" for what seemed to be a very long time and added, 'You were with Wayne once when he came to Zihatanejo  from Newport Beach on his mine-sweeper 'The Wild Goose.'  Here at 'The Flophouse, I mean?'  And "Lucky" replied, 'I was.'   I felt like a child when I asked, 'You knew 'The Duke'?'  And he replied with a smile, 'I did.'

     The following morning we walked down a long dusty road toward 'Chez Arnaldo Beach' to see the home that Wayne had built when he hauled his aging bones to Zihatanejo for the last time.  He had built the house near a small stand of palm trees, 3 miles from the town's center.  It could be reached only from the sea or the small dirt road upon which we were walking.  Today few people could tell you its location.  A caretaker greeted us after "Lucky" had made arrangements with the hotel staff at the La Casa Que Canta Hotel for the visit, specific directions had been written for us, and a caretaker was there to greet us.


     As we were making our way to the top floor of the home,  I was recalling that conversation with the bartender the night before and thought it best not to ask "Lucky" how well he had known Wayne until he was ready to tell me.  The bedroom was now called "The Sagebrush Room."  I found a bookcase against the wall, and among weathered books of Agatha Christie was a copy of Arthur Conan Doyle's 'SirNigel', with a note from Agatha Christie to Wayne telling him that he would enjoy the read and wishing him a Happy Holiday Season,  dated December 17, 1966 - a remnant of some lost Christmas. The place was clean and bright and pleasant.  According to those in town who knew him best, this is where Wayne came to escape his celebrity.  Here, where there were now tasteful wicker chairs and fresh-cut flowers, he would walk out to the balcony and look out over the town to the sea while he puffed away on his Camel cigarettes.  Those who knew him said that as he aged he knew that he had never been considered a serious actor, transformed by time into a cartoon figure of the western hero, he had begun to regret that aspect of his life even with his Oscar win as Best Actor for the movie 'True Grit' in 1969, 17 years after his only other nomination.

     When I heard "Lucky's" voice behind me, I turned to look at him as he said: 'I know you've been wondering about me and Wayne.  I've known 'The Duke' since 1960 when he was in Brackettville, Texas shooting and directing the movie 'The Alamo.'  The movie was shot on the ranch owned by Jim Shannan, who happened to be my uncle; so Wayne give me a bit part even though he was aware that I was a 'Hell's Angel.  Two weeks after I was hired, I lost my leg in a motorcycle accident when I was  drunk and slammed into a truck.  By then, Wayne and I had shared more than a couple of drinks in several Brackettville bars where we played chess and he always won.  He liked me and  I liked him.  He paid for my hospital stay and operation.  Uncle Jim refused to do so because he didn't much like the fact that I'd been drinking at the time of the accident nor was he fond of the Hell's Angels stuff.'   


     His feeling were clearly shared by others who had known him.  On each day more and more Zihatanejo residents told their own stories about "The Duke."  'He was the nicest man in the world,' said a brown-skinned man named Marcos.  'I come home in the morning from taking him on horseback rides.  I give people rides.  They pay me.  Then I come home.  With him, I always came home with more money than I could earn in a month, he gave me cowboy boots and a western shirt and a Stetson hat, and always acted like I was his equal.  He was a man with a kind heart.' 

     As we were walking the beach early one evening, "Lucky" said, 'It was several years after my accident when Wayne called me and asked me since I was a former Marine if I'd like to do another shoot as an extra on a movie he was directing called 'The Green Berets' in 1968 with David Janssen and Jim Hutton.  He told me the movie was about Viet Nam and that there would be a character with one leg who never spoke a single word.  I agreed and the next thing I knew I was in Fort Benning, Georgia shooting the movie....One evening, we went together to a place called 'Bello's Martini and Cigar Bar' and I asked him why he had taken me under his wing.  His reply was simple: 'All of  us are a mixture of some good and some not so good,' he said. 'In considering one's fellow man it's important to remember the good things...we should refrain from making judgement because the fella looks like he's a real SOB and give him a chance to prove you're wrong.'   "Lucky" paused for a moment, then said: 'There is someone I'd like you to meet.  He's a former bronco rider and movie stuntman named Yakima Canutt.'

     The following afternoon, I found myself at a place called Coconuts near the beach, celebrating 'Happy Hour' with "Lucky" and Enos Edward Yakima Canutt, who had known John Wayne since 1932 when Wayne had hired him to do his stunts in a movie by the name of The Shadow of the Eagle.  After an introduction by "Lucky," the drinks began to flow and the conversation began.  It turned out that Yakima, now 80 years-of-age, was a man who seemed taller than he actually was, with a face which looked as if it had been etched in granite.  He had won the title at the age of 17 as 'The World's Best Bronco Buster,' trained Charlton Heston and Steven Boyd for the famous chariot ride in the movie 'Ben-Hur,' and won an honorary Academy Award in 1967 for his  contributions to the movie industry. 

     Down through the years had come to  Zihatanejo with John Wayne on a regular basis. 

     His only comment about Heston was, 'The fucker was a pious prick!' 

     He did, however, love John Wayne. 

     He said that in 1932 when the two of them had first met both of them were working for Monogram Pictures, and the first words out of Wayne's mouth were, 'I've always followed my father's advice: he told me to always keep my word and, second, to never insult anybody intentionally.  If I insult you, you can be god damned sure I mean it.  And third, he told me never to go around looking for trouble.'   If you're OK with all of that, I think we're gonna be friends...And we were and are...As a natter-of-fact, the two-of-us have been coming to Zihatanejo since the mid-5o's.  Played chess here at this very table, got drunk, laughed, and told dirty jokes.'  I told him that my Dad lived in Winerset , Iowa the town in which Wayne had been born, knew Wayne when they were kids, back when his name was Marion Robert Morrison.  And he replied, 'You're dad was a lucky guy.'

     What none of us mentioned was this: Wayne was now in the UCLA Medical Center being treated for another bout of cancer, this time it was cancer of the stomach.  We departed the place called Coconuts at around midnight on June 10th of 1979, and on the morning of June 11th heard the news that John Wayne had died. 

     The entire town of Zihatanejo was in mourning, black was worn by men and women and children, the Cathedral door was draped in black, and the flagpole's flag stood at half-mast, waving slowly in the wind, as "Lucky" and Yakima entered through the cathedral door and two men who had known and loved him bent down at the front of the altar to give John Wayne a final farewell.  They both walked silently back onto the street, bid me a farewell, and flew out of Zihatanejo to attend his funeral and burial at Memorial Park Cemetery in Carona del Mar, West Port Beach.  Etched on his tombstone were these words: 'Feo Fuerte y Formal' in Spanish, when translated to English meant: 'He was ugly, strong, and dignified.'

     In October of that year, my Father died, the man who I most adored in my entire life, one who I forever will pay tribute to in my heart, mind, body and and soul...

      ...By 1986 both "Lucky" and Yakima had passed-away, as well...

     ...I had known 3 men who once knew John Wayne...

     ...My wish is that I had been one of them...

      ...And although I never met him...

     ..I have yet to forget his words: 'Courage is about being scared to death but saddling up anyway...' as well as: 'Tomorrow is the most important thing in life. Comes to us very clean.  It's perfect when it arrives, and puts itself in our hands.  It hopes that we've learned something from yesterday...'

     ...And it is my hope that I have done all of that in some minor way...